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Charles conder Departure of thte OrientCircularQuay (nn02) oil painting


Departure of thte OrientCircularQuay (nn02)
Painting ID::  23086
Charles conder
Departure of thte OrientCircularQuay (nn02)
1888 Oil on canvas 17 3/4x19 3/4" Purchased 1888

   
   
     

Charles conder Holiday at Mentone (nn02) oil painting


Holiday at Mentone (nn02)
Painting ID::  23090
Charles conder
Holiday at Mentone (nn02)
1888 Oil on canvas 18 1/4x24"

   
   
     

Charles conder Springtime (nn02) oil painting


Springtime (nn02)
Painting ID::  23091
Charles conder
Springtime (nn02)
1888 Oil on canvas 17 3/5x23 1/4

   
   
     

Charles conder Yarding Sheep (nn02) oil painting


Yarding Sheep (nn02)
Painting ID::  23092
Charles conder
Yarding Sheep (nn02)
1890 Oil on canvas 14x22 1/16"

   
   
     

Charles conder Departure of the SS Orient from Circular Quay oil painting


Departure of the SS Orient from Circular Quay
Painting ID::  28034
Charles conder
Departure of the SS Orient from Circular Quay
1888 Oil on canvas 43.2 x 48.9 cm(17 x 19 1/4 in) Art Gallery of New South Wales,Sydney (mk63)

   
   
     

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     Charles conder
     English-born Australian Painter, 1868-1909 English painter, active in Australia and France. He was sent to Australia in 1884 to learn surveying under his uncle W. J. Conder. After about two years in survey camps, he attended evening classes at the Royal Art Society, Sydney; in 1887 he worked as a lithographic draughtsman for the Illustrated Sydney News. Tom Roberts, then in Sydney on a visit from Melbourne, was among the open-air landscape painters that he knew at this time. He taught Conder some of the principles of Impressionism, such as truth to the momentary effect of light and to colour values, and the rejection of the academic ideal of high finish. The most important painting of Conder's Sydney years, the Departure of the 'SS Orient' from Circular Quay, 1888 (1888; Sydney, A.G. NSW), already showed a distinct personal style, combining humour with nostalgia and selective observation with decorative finesse of handling and design. In December 1888 Conder joined Roberts and Arthur Streeton in Melbourne. During the following summers they painted together at the outer suburbs of Mentone, Box Hill and Eaglemont

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